
April is a month of voices; soft ones, bold ones, and everything in between.
It’s a time to celebrate poets; the the storytellers, the truth-tellers.
Poetry gives words to what we sometimes can’t say out loud.
This April, let’s read a poem, share a line, write something of our own.
Poetry isn’t just written, it is lived, every single day.
Take the leap! Writing can be challenging, but it also can be fun!
We would love to see your creation. Please share if you are comfortable in doing so. We look forward to hearing from you!

RED DRESSES IN THE WIND
In the background, white and blue
outline of the
Rockies.
In the foreground, red
dresses, hundreds of them,
hanging
on barbed wire fencing,
swinging quietly in the wind,
not dancing.
The drums have
stopped, the heartbeats, 582,
have stopped.
There was an honour walk one day
to remember the lives stolen,
snaking along highway one.
I remark, odd
they have an RCMP escort.
Where were they before?
Had they driven down this
highway of tears
and never once looked
in the rearview mirror,
or in the ditches?
She hangs
her red dress
on a tree
like a crucifix
its imprint burned upon
skin,
a branding iron
of destruction.
This is not
my lived experience.
I am not Indigenous.
I cannot know the crushing anguish
of history.
I attempt to be an ally,
because
I am a daughter,
I am a sister,
I am a mother.
This year
I too
will walk.
Patricia M Wourms © 2026

HANDS
Plastic tubing, monitors beeping,
beeping,
beeping.
Your hand rests in mine.
Hands of a farmer, carpenter, gardener, truck driver
tinker, tailor, soldier, sailor.
You are still wearing your watch.
You were always counting
the minutes,
the hours,
the days of your life.
Tick. Tock.
tiktok.
Video of your life story,
ebbing away.
You weren’t a giant of a man
but you were my giant.
Jack on the beanstalk, planting sunflower seeds
to blossom yellow and gold.
Raspberries are magenta. Grass is green.
Are you shrinking?
You look like you are shrinking.
small
smaller
smallest.
I try to hold it in my hands.
The sacredness of this space.
It takes my breath away,
as you take your last one.
Away you go!
Transition to the next valley,
a new space opens for you
for me.
I put my head down on your hospital bed.
without you
my heart is
in the hands of new management.
Patricia M Wourms © 2024

The Leo Child
Soft, so soft the mother’s eyes
Her fawn it lays nearby
The beauty and grace of the forest Deer
Never to die, to die.
Majestic, courageous, noble, grand
We speak of the Lion with fear
But oh, how tender those precious moments
When mother and cubs are near.
The dream it lives to run like them
Running wild, running oh so free
Pounding hooves on hardened ground
To the sea
To the sea
To the sea
With softened hands the angel came
And touched the creature wild
“You are part of each,” she said.
“With the innocence of a child.”
“A horn I give you, twisted and long
You are different and yet the same.
White, virginal, willful, strong
And Unicorn shall be your name.”
It calls to us, this magic horse
For the legend lives on today
Keep the spirit within your heart
Its’ virtues will all come your way.
And so was born this Leo Child
With heart both brave and true
And all the Unicorn’s hopes and dreams
We see each day in you.
This poem was written for a friend who had a baby in August, 1987.
Patricia M Wourms © 1986

Women In Blue Suede Shoes
A Haibun
She is wearing men’s blue suede dress shoes. They have holes in both the toes, no laces in the right shoe. The backs are bent down from using them as slip-ons. She wears an army green jacket, with a camouflage backpack. Her leggings are bright blue, to match her shoes, I guess. She is here with me in the ER. It’s a Thursday night. 10 p.m. I’ve already been here for three hours. The discharge doctor tells her she can’t work for four days. I continue to wait for my evaluation. Can barely walk, for sure can’t dance, yet the famous refrain runs continuously In my head, and I can hear the voice of Elvis.
When she shuffles out,
I listen for the doctor.
Is it my turn now?
A Haibun is a poetry form which contains prose, usually a true story, and ends with a standard Haiku of three lines, 5/7/5 syllables.
Patricia M Wourms © 2026

FROM A WALK WITH MY SON-Age 3
We bring home small treasures
you and I
a handful of sand
pinecones
a dandelion puff
P u f f
you giggle as you blow the seeds
away.
We taste nectar
from the caragana blossoms
you call it a honey tree.
I am drawn in by your innocence.
You stop a hundred times along the way
and me and my impatience
hurry you along.
This morning it is cool and quiet.
I hear you breathing softly in your room.
I feel warm.
Three or more days have passed
since our walk
and I try to remember.
I try to slow down.
Patricia M Wourms © 1989

DENOMINATOR OF NINE
Enneagram,
geometric shape with nine points.
A nine-pointed star
emblematic
of perfection
and unity.
Most associated with the Baha'i Faith
symbolizes completeness, the fulfillment
of all prior religions.
The Iranian Revolutionary Army,
more than nine,
eighteen
thirty-six
and on
they march, purveyors of destruction.
Lives scattered like tissues
of
blood.
The court a sham with
pre-determined outcomes,
one, singular sentence
“guilty,”
one single punishment, divided by nine
divided by ten,
divided by
300 in
1979.
Hanged in a public
square
June 18, 1983
would not
refute their faith,
would not
refuse their fate.
Patricia M Wourms © 2026
Mona Mahmoudnejad, 17; Roya Eshraghi, 23, executed along with her mother; Simin Saberi, 24; Shahin (Shirin) Dalvand, 25; Akhtar Sabet, 25; Mahshid Niroumand, 28; Zarrin Moghimi-Abyaneh, 29; Tahereh Arjomandi Siyavashi, Her husband, Jamshid Siavashi, was executed two days earlier; Nosrat Ghufrani Yaldaie, 46. Her son, Bahram Yaldaie, was executed two days earlier; Ezzat-Janami Eshraghi, 57. Her husband, Enayatullah Eshraghi was executed two days earlier.

NAVIGATION
As they push away from the
Lighthouse, the lantern swings on a
port side rail,
To and fro. The moon brightens into
day as if it had always planned to
Guide them along the rock-strewn
shore of the bay.
The cigarette he lights, burns red. He
wishes there was some other
Way to follow this arduous and
danger-fraught pathway back
to his
Home.
SKIPPING
Lou, we have been worried
about you.
Lou, we wonder where you’ve been.
You would never
Skip a trip
To the candy store.
My, darling child,
Lou. You are a gift of light.
What is the World’s Best Invention?
There are so many spectacular,
Helpful and grand
Examples of creativity.
Perhaps you have
One you favour, have
Captured it within a safe place,
Kept it zipped up tight,
Except when you reach deep inside
for a tissue,
To find the 5-dollar bill surprise!
These 3 Acrostic poems were written during my weekly Poetry Patch training session.
Patricia M Wourms © 2026

ABOUT LAST NIGHT
Adam Baldwin sings his poetry through the speakers of my new car.
He voices tales of love lost and gained, of Canada, of Nova Scotia.
We sing as I drive into the city’s heart: Dark before the Dawn, Sparrow Song, I Can Love You with My Eyes Closed.
He is my muse - if women are permitted the conceit.
I pick him, Sadie Hawkins-like.
I met you at the confluence for poetry night.
You’ve cut away your long hair - I cut mine too.
Shorn locks, private talks. I envy your journal,
filled margin to margin in your tiny precise printing.
What secrets & stories & verses are hidden there,
protected by those
hard black covers?
I have a new journal. The front cover says WRITE.
96 blank pages daring me inside.
I think about change:
in my perspective
in my commitment to craft
in my determination.
The poets read
from paper, screen or memory to speak of
winter’s beauty and its terror.
Tiny handwritten words, bird scratches in snow.
Ink blots: what did you see first, a dog or a face?
You say to me, “The poets are all women.”
“Except for one man,” I reply.
“A proud member of the lgbtq2+ community.”
He has letters behind his name.
Do women excel in this arena through courage
or are we more willing to offer pieces of ourselves?
In a room full of poetry lovers, past lovers
You say, “hope is a thing with feathers.” I say, “no coward soul is mine.”
Two different Emilys.
We are poets.
We are lovers.
We are warriors.
Patricia M Wourms © 2025

THE NEWS
The Emergency Alert!
is rescinded at 1:32 pm
There is no danger to the general public. The victims were known to each other.
The police address the media.
SNAP
First the wrist, then the arm
twisted,
she falls to the ground
yells “take the baby.”
CRACKLE
The sound of the Christmas
wrapping paper being torn,
ripped away by tiny, two-year old
hands.
POP
First her.
POP
Then her dad.
POP
Then her baby.
POP
Turns the gun on himself. Chickenshit sonuvabitch!
The statistics climb. Three months. One province. Six women. One man.
It’s a shadow epidemic, intimate partner violence. 44% of women in Canada have been abused by a loved one. They could be pregnant. They could be trying to leave. They might have a new relationship.
She was cemented into the basement. She was dismembered. She was stabbed 36 times. She was burned. She was buried in the back yard. She was raped. She was strangled.
There is no danger to the general public.
Just to women.
Patricia M Wourms © 2026

Haiku is a traditional form of Japanese poetry consisting of three lines with a 5, 7, 5 syllable structure. Focused on nature, seasons, or a specific, fleeting moment, these poems often use vivid imagery to create a lasting impression in 17 syllables.
April
Pokes of colour show,
the frozen soil breaks open.
Blossoms in their spring.
The Lake
Paddles move slowly,
mountains reach around my heart,
summer sun, water, blue.
Patricia M Wourms © 2025

POETRY FOR AN ANALYTICAL MIND
I don’t get it, you said.
It’s just a simple love poem,
I replied.
I’m too analytical. These poems don’t make sense.
They don’t have to, it’s a different way
of expression, of using words.
I don’t understand poetry, so maybe your work is good. How would I know? Maybe you’ll be famous someday.
I appreciate your feedback anyway.
I like going to poetry readings.
So that’s a start.
I warned you, you said.
Yes, you did.
The world is filled with poets and unpublished writers.
Yes, it is. I don’t want to be
famous. I only want to capture a
moment in time, an observation, an
emotion, a random thought, without
writing it in a diary. If you write it in a
diary, people believe it’s about you.
Poems don’t have to be real.
Unless they are.
Everything must make sense, you said. I don’t have time to try and figure it out.
I’ve burned all my diaries, I replied.
Patricia M Wourms © 2025

PUBLIC LIBRARIES
“Liberal, white-trash whore!” spitting, screaming, contorted
face
red, read.
“Trailer park trash!” I yell back
but only in my
head.
“You think you own this place!”
“You think you can just let your bratty kid run free and look at library books?”
The security guard is talking to the receptionist on the first level, he hears the yelling,
on the second level, keeps chatting.
I am angry! I am vulnerable! I am a lion,
move to surround my cub.
“Liberal white trash asshole!” he yells at my brother.
The guy wants to punch me, my son, my brother.
“Touch me and I call the police!” I calmly say.
Inside my anger seethes.
I want to slap him
slap him
slap him
slap him
but only in my
head.
Patricia M Wourms © 1995

THE MOON YOU FLY OVER IS THE SAME MOON I CRY UNDER
It’s taken me a long time to read that letter again-
ten years.
You kept a journal and I realize now
that you were a writer...
and an artist.
I promised myself I would get your graphics published.
I never did.
What anguish your parents must have felt
when they found that picture of you
tucked away in your journal.
A black eye from the time he beat you up
after you found him in bed with…
well, you know the rest.
After that you stayed with me
right up until the night you
rode your bike
and died
on the highway to the airport
at 2 a.m.
damn that drunken
sonuvabitch!
He left you there
with that bloodstain on your cheek
the shape of a teardrop.
A two-line poem
you intended to leave on the window of his plane.
The cop thought it was a suicide note.
It wasn’t.
Was it?
I almost took that
picture
when I was packing
your things
I didn’t want your parents to know.
I changed my mind.
I did want them to know
about you
and him
and why.
And I wonder, does that picture
tear at their insides
as your letter does at mine?
Patricia M Wourms ©1989

WOMEN WRITERS | For Elly
I read your words
woman’s words
lyrical, poetical
thinly veiled
to cover pain.
Women write of pain and tears and children.
Edna St. Vincent Millay writes of unrequited love
Or was it Emily Dickinson? I can never remember.
Emily Bronte writes of consuming love
Alice B. Toklas of lesbian love
Sylvia Plath writes death.
I read your courage
woman’s courage
lyrical, poetical
to ease us through the pain.
We change our names to George
to write
of pain
and tears
and children.
WOMEN WRITERS |For Mary
Mary Shelley wrote Frankenstein
because she had a miscarriage,
which proves my point.
Patricia M Wourms © 1990

A SECOND-HAND STORE ON 13TH AVENUE
The bell at the top of the door
announces my entrance.
She rushes over to me. I don’t know her.
“Oh, just look at the dresses I’ve found,
does this one look good on me?”
She treats me like her sister.
I am her sister,
in some sort of feminist way.
I tell her,
“No, that one’s too dark for summer.”
She tries on skirts over
her skirt
The longer ones reach the
top of her heavy laced up
winter boots
and it looks absurd.
“I don’t like dresses low cut,”
she tells me.
“And I need some skirts for summer too.
Oh, this skirt would be good
for me, or for
you if you like it.”
The store clerk and I look
at each other across the room
and we smile.
Her hair is streaked with grey and her dark eyes
dart around-clear, but unfocused.
I’m not sure what to do.
“That matches nicely,” I say.
I pay for my dresses.
“What about this one? Is it good for summer?”
She draws me in again.
“It’s great, I say”-but it’s
gaudy and dull and I
don’t know why I lied.
I don’t want to leave.
I want to sit on that lime green
second-hand couch by the window
and watch her.
On my way out the door sticks.
Is it telling me to stay?
I start my car, begin to pull away,
but I want to go back,
because my sister is inside buying skirts
and dresses in a secondhand store
on 13th Avenue.
Patricia M Wourms © 1985

THE BLUE BIRD CAFÉ
Tonight it’s late.
The streets are empty and warm.
We walk upon rain-splashed sidewalks
in the days when Saskatchewan still got rain.
Your boot heels echo back through the
finely manicured store fronts.
The neon sign over the front window
reflects on the pavement.
The b in birdis broken
but we go in anyway.
“Fries and gravy please,
and a Coke.”
“You play those things?” he says
pointing to our guitars.
“No,” you answer.
We eat, then play
for a handful of people who
have no place else to go.
It’s Sunday night for god’s sake.
They don’t know the songs
one by the Rolling Stones
another by Badfinger,
but the tempo is fine
and they have someone to listen to.
We go to pay
and the owner says, “No,
you sang for your supper.
This one’s on me.”
He reminds me of my dad
nice, but lonely.
I can see him at 2 a.m.
counting out the change
in the till
humming a few lines of
a Rolling Stones tune.
The light from the neon sign washes pale blue
and the b in bird is broken.
Patricia M Wourms © 1972

LIGHTNING
She waits atop her luminous crystal pond,
Waits patiently for the electrostatic discharge to connect her to the Hindu gods.
Agni-fire, a place on earth.
Yaya-wind, a place in the air.
Surya-sun, a place in the sky. She
Waits to sing the Vedic songs to Brahma.
Lifting her hands in supplication, throat bare, breasts bare, she tilts her head toward the heavens
and raises her voice,
sings boldly, sings loudly
volume higher and higher,
thunderous enough for the gods to hear.
Waits for the storm that follows, a bolt from the blue, intra-cloud, cloud to cloud,
cloud to ground, it cracks the base, moves along
as like a serpent with fork-lightning tongue,
winding, curling, meandering around her powerful legs,
her supple body, making a direct target of the heart,
moving over her braided, twisted hair
to attach to the third eye chakra,
Waits for her to perceive a
cosmic vision beyond the physical.
The tribar symbol on a single arm, multiple, context-dependent meaning,
the equivalence of two different things.
Positive and negative energy.
Waits for her power, she will send shockwaves,
a fire, into the space below.
Historians claim fire-gazing meditatum, made us human, invigorated our brains.
The flower of the sacred lotus grows out of mud. Symbolizes enlightenment, shapes lightning.
She has blossomed. She is serene, she is formidable, she
Waits for Savasana.
Patricia M Wourms © 2025

CYRPTIC
There are
hundreds
of
stories
in a graveyard.
I know someone
who is
working
on
one.
Must I be the one
to tell her
there is no such
thing
as
ghosts.
Patricia M Wourms © 1990

Manitou
I swear
to
God
the name of the hotel
was The House of The Rising Sun
long since boarded up
secrets
protected by cobwebs
driven into white linen sheets
old desires
old tales
you can hear them
blow off the lake
salty
they burn
your
tongue
and drop
down
deep
into the warm sand
softly pushing through
unsuspecting feet
no idea
of the sweet tears
buried below
pulled out, pushed in, pulled out
how could there not have been whores
in that hotel?
I press my feet down into the sand.
Patricia M Wourms © 1997

ON GEMINI
O Cruel Gemini!
You punish me
with gentle looks and
a feather touch
touch my splitting soul
with gold.
sun, moon, planets
divide my heart
O Fateful Gemini!
You leave me no choice
submerge, succumb
the strength of two
too
is meant for you.
progression
foretell the events of my birth
O Sweet Gemini!
Are you a savior in
a silver gown?
A brother, soulmate, twin?
Will you deceive me?
Will you win?
gemini, air
moon rules
Mercury rules
O Worried Gemini!
I can hold you within this tattered shell
where sand, nor cold, nor broken dreams
can intrude
where strength and hope survive.
Zodiac: constellations, Aries in Pisces
celestial moonchild
give me latitude
longitude
O Winged Gemini!
Were you delivered by
an Angel?
Whose bronze wings
could touch the sun
the son?
fourth sign
June, July
according to astrologers
O Beloved Gemini!
For you, this cancer crab
will fight Hercules, Hydra,
demons
will manufacture the impossible
a polished pearl
in a tattered shell.
Patricia M Wourms © 1990

The Europe Hotel, Prince George 1978
Yellow, brown nicotine
fingers and
beaded headbands.
The fiddler played a Doug Kershaw song
and they danced,
in twos or threes
or not at all…
it’s hardly what you’d expect.
She’s really pretty
a softness that’s
hard to find
in a bar
of loneliness
and ugly brown carpet.
Can we go back
to that tacky red and black cabaret
with bands from Williams Lake
and Prince Rupert
playing ‘til 2 a.m.?
He butts his cigarette on the table.
What are two white people doing
at the Europe Hotel
in Prince George
in 1978…
Patricia M Wourms © 1978

This poem uses the Golden Shovel form. Here's how it works: take a line (or lines) from a poem you admire. Use each word in the line (or lines) as an end word in your poem. Keep the end words in order.
SUBLIME
You give us doting mothers, and chaste wives.
Sublime Madonnas, and enduring saints!
We get no Christ from you,—and verily
We shall not get a poet, in my mind.
Emily Bronte
I have nothing left to give to you,
but is there something you can give
something just for us,
I remember all the doting
and us searching for our mothers,
'round every corner and
streetlamp, keeping thoughts and images chaste
while they’d commemorate the wives,
whose love sublime,
mirrors the Madonna’s,
swaddled in white and
living under the enduring
blanket of the saints!
is this all we
are prepared to get,
shouting no and no and no,
a lost connection to the Christ,
we wander from
the edges of our souls, you
suppose there must be a time and
place, when verily
our lives will merge and we
shall
begin again, but not
without a faithful word, as close as we can get
to our love, a
kindred spirit, a poet,
who carries deep with-in
the shadow of my
tragedy, my shattered, broken mind.
P.S. The line breaks in this column don't allow me the space to lay this out properly so that each end word aligns with Emily's poem, but it does.
Patricia M Wourms © 2026

SPRINGTIME IN MY NEIGHBOURHOOD
All around us there are
Beautiful signs of spring
Calling to me across the
Dark waters of the lake
Every bird and
Fauna seems to
Grasp the urgency the
Happy time which is upon us
I can hardly wait to
Jump into that blue-green water
Kick my feet
Laugh out loud at the
Merriment of it all!
Never leaving the water til
My hands
or feet are so wrinkled they look like
Plums left out too long
Quietly rotting on the counter.
Reduce, reuse, recycle, or in this case, compost.
Starting from the soil, back to the soil.
Tender seedlings make their way
Up through the muddy earth, the
Verdant and creative ground
Where life exists in its own patterns, like a
Xi in a constellation
You can only see in the spring when the world is at its
Zenith of awakening.
Form| Alphabet Poem
Patricia M Wourms © 2026 April 19

MESSAGES
Calling you again for the third time today,
is this what they call ghosting?
Every time you leave, its always same thing,
what’s your plan this time?
I’ve also left a message; did you listen to it yet?
Starting to think this is how we end,
I’m calling you again.
During my weekly Poetry Writing meeting, I was provided with three letters and I had to write a poem using those three letters to start words. This is the result.
Patricia M Wourms © 2026 April 19

AFTER THE COFFEE HOUSE
We went for pizza after the coffee house, carrying our guitars into that restaurant
thinking that maybe someone would wonder if we were famous
like Janice Ian, Melanie or Simon and Garfunkel.
We were 16, or maybe 15 and I was out past midnight
which was unusual for me, but not for you.
You knew some people there, an older guy who was ripping off unemployment insurance
I didn’t even know what you were talking about.
We played safety patrol on the street at 12.30 am.
You were always jealous of me being a patrol leader and you not being on school patrol at all.
You see, it wasn’t only brains, you were smarter than me,
it was more the fact that I was responsible
and you were always out past midnight.
Patricia M Wourms © 1988

Tatanka Reborn
Swirls of bless-ed snow
bristled fur aglow.
Bison,
you are here once more,
mighty beast of lore.
The sun
sings of your great birth,
from heaven to earth,
you’ve come.
Seven sacred rites
to lift, set aright.
Restore,
harmony and light,
prophecy ignite.
Adore,
face of beauty, might.
Run free, friend, take flight,
soar.
Sioux Valley Nation,
cosmic sensation,
you’ve come.
Tatanka elation,
re-generation.
The drum,
an exclamation!
Spirit confirmation.
Succumb.
Wrapped in cloak of white,
streaming, beaming light.
Outrun,
you of girth and height.
Warriors recite,
tales spun.
Let nations unite,
legacy burn bright,
Bison.
Patricia M Wourms © 2026

Far Away Worlds
It was a love he bore to the very tips of his cloven hooves,
a secret mystery unfurled, like the misty breath covering the moors.
“Good morning, my lady” he whispers each morning,
with an affection knowing no bounds, lost in the sounds
of the wild spirit within his soul.
Bowing low, horn touches ground, a healing
spark unleashed below.
She stoked that enchanted flame, her hand caressing
his silken brow.
And in that time and space, she was not ill, the trembling, stilled.
He brought the sun, laid it at her feet, removed the poisoned quill.
He spoke of shelter, in the far-away worlds, an untamable energy,
protection, rejuvenation,
so they would never be apart -- always heart to heart.
He dries her tears, soothes her fears, pawing on the grass.
She drops her head into his silvery mane and lets the moment pass.
Fierce and swift he takes her there, to the security of his lair,
the stars smile down, their holy wishes sincere.
“Good night, my lady,” he whispers in her ear,
strong, and abundantly clear.
Patricia M Wourms © 2026

At Night | For Emilie
I watch you sleep
In, out
in, out
your breath falls so soft and white
small flowers in an open field
surrounded by your colours bright.
I reach out to touch you
Up, down
up, down
my hands move across your face
rose petals on velvet, orchids on silk
surrounded by French cultured lace.
I cannot yet tell you
Back, forth
back, forth
we rock in the chair by the door
my love for you grows with each passing day
and yet, I will still love you more.
I kiss you goodnight
Soft, gentle
soft, gentle
my lips upon your head
I tuck the blanket up around your chin
as you snuggle down into your bed.
I quietly close the door.
Sleep tight, sleep tight.
Patricia M Wourms © 1997

SUMMER NIGHTS
The tree on our lawn was third base. Mon stopped planting flowers there, there was no point, what with Kim always sliding into third, regardless of where the ball was. He liked dad's well manicured grass, he said.
Hot Saskatoon summer nights. A neighbourhod of 5 kids per family. Ratty ball gloves handed down for years, pancake flat. You never wanted to be the catcher with those mitts.
We'd hurry to finish dinner so we could get out there and start the game. Happy when someone's cousin was having a sleepover so we could field two teams of 6.
We never broke a window, never broke a tree, just a few teenage hearts along the way.
April 27 | Poetry Word Sprints
"My favourite childhood memory."
Patricia M Wourms © 2026

Hopeful Abundance
We are time travellers chasing the light,
we are mad basement dwellers.
Use the other door,
the model is posed.
This room is suitable for
an octopus in disguise.
It’s a weird, weird world,
reality is optional.
Writing is a journey, a
bag full of secrets.
Please follow the instructions of your instructor,
everyone is welcome here.
You are loved.
If you require
a signature
wait until we can answer,
we are chasing the light
and lucky small things.
This is a "found" poem, written at a poetry session this past weekend. We had to use sentences found as we walked around Cspace.
Patricia M Wourms © 2026 April 25

Paper Dolls
We cut a predetermined size and shape.
One size fits us all, and it always must be Small.
We change the paper fashions, a new image we create.
One size fits us all, on a child’s paper doll.
Bend the tab around the waist, be sure to pull it tight.
One size fits us all, and it always must be Small.
Perfect perky breasts, the hip proportions must be right.
One size fits us all, on a child’s paper doll.
The clothing rarely stayed in place, it never fit quite right
One size fits us all, and it always must be Small.
It set a prototype to follow, much to everyone’s delight
One size fits us all, on a child’s paper doll.
The men were all so handsome, chiselled jaw and eyes of brown
The suit, the tie, the hat, the lie.
Bring along the model wife, when you go out on the town
The dress, the shoes, the jewels, the lie.
Vintage paper dolls, costumes pure & virgin white
One size fits us all, and it must be always be Small.
In flimsy camisoles and slips, such an angelic sight
One size fits us all, on a child’s paper doll.
What messages were sent, when those paper tabs were bent.
around those little girls, wearing knee highs, hair in curls.
Fantasy of rape and power, motivation and intent,
what protection is there now, for our Tik-Tok watching girls?
Patricia M Wourms © 2025